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editors’ choice : raga man


Saturday, 29 October 2011

image taken from page 3 of matzine#09


Raga Man, a submission by Robert Fieldhouse to the Copy Paste issue; I really like it. Playful, cunning and quick, this poem delights, beguiles and tickles. These stunted stanzas follow formats seemingly simple, allowing the conscience an unencumbered phonetic, rhythmic pleasure. It reminds me of the Oulipo experiments:


“the seeking of new structures and patterns that may be used by writers in any way they enjoy.” Constraints are used to trigger new ideas and the Oulipo group is an ongoing source of novel techniques, often based on mathematical ideas — such as counting letters and syllables, substitution algorithms, permutations, palindromes, and even chess problems.”

…from Joanna Growney’s blog poetrywithmathematics, also reference in a post from my blog, Dec 2010. As an editor of Matzine it warmed my heart how this submitted piece merrily shook hands with Stephen Mackie’s chosen theme Copy Paste. Reading, I feel like like the words, the words’ meanings and the newly formed verses were each in some way copied and pasted. How abstract a thing to communicate.  The references, the less-obvious poetic formulas, the subject-weaves; I am content to carousel these lines with simple survey, though perhaps there are deeper dimensions to be enjoyed upon more rigorous readings of Robert’s Raga Man

as published on the matzine website

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"...the sovereign of clocks and shadows..."


Monday, 22 August 2011





i return to you years later,
grey & lovely city
unchanging city
buried in the waters of the past


i'm not longer the student
of philosohpy, poetry & curiosity,
i'm not the young poet who wrote
too many lines
and wandered in the maze
of narrow streets and illusions
the sovereign of clocks and shadows
has touched my brow with his hand


but still i'm guided by a star
by brightness, and only brightness
can undo or save me


star by adam zagajewski. i read this on a wall in london's underground tube network, on my way home from leeds & birmingham [as part of project context]. i have a fit of goosebumps on every pass. i'd suggest scanning this interview with zagajewski, it takes my mind to far away places and spreads my eyes apart.

i've been blogging less than i use to because my time is spent elsewhere, in those hidden places for where only few keys exist; sketch books, conversations... but these two photographs above are my studies following josef albers' 'interaction of colour'. the top colour study is from chapter 9 entitled 'colour mixture in paper - illusion of transparence' and the bottom photograph is from chapter 14 'colour intervals and transformation'


the virtuous hunt 
for ways of seeing 
spears bounty abound;
a game no trap ensnares



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