Tuesday, 5 July 2011
josef, étienne & i
"the search is what everyone would
undertake if he were not stuck in the
everydayness of his own life. to be
aware of the possibility of the search
is to be onto something. not to be
onto something is to be in despair"
walker percy, the moviegoer
[as quoted on page 1 of 'seeing is forgetting the name of the thing one sees' by lawrence weschler]
the image above is my submission to the copy/paste issue of matzine#09; it is of two beds, one for étienne and one for i - two characters from a short story i wrote for the previous issue. i had built part of a miniature stage-set for the piece but the simplicity of this spread, the strange divide of the spine, the butterfly and clone effect, the floating beds in paperspace and the questionable penmanship - these qualities won me over.
in a 1968 interview, josef albers said something provocative, that has stuck with me and seems pertinent here :
"the source of art - or where it comes from - is the discrepancy between physical fact and psychic effect"
Labels: albers, depth, drawing, dreams, irwin, matzine, quotes, square, vision
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Sunday, 3 July 2011
sunday 19th june saw me lending my brick threading skillz to the f o l l y f o r a f l y o v er team
cool, engaged bunch - the get-up had a great ad-hoc vibe and the competence to pull it off
hats off
[looking forward to 2001 : space odyssey]Labels: architect, assemble, collaboration, collage, image, narrative, set design, urban
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Saturday, 4 June 2011
p h e n o m e n a l p r e s e n c e
"i began to recognize the difference between imagery and physicality, that everything had both an imagery and a physicality, and furthermore that for me, the moment a painting took on any kind of image, the minute i could recognize it as having any relationship to nature, of any kind, to me that painting went flat...
imagery for me constituted representation, "re-presentation," a second order of reality, whereas i was after a first order of presence... it's about presence, phenomenal presence."
images the mechanical film set of stanley kubrick's 2001: a space odyssey [sourced from wikipedia if i remember correctly] text seeing is forgetting the name of the thing one sees, by lawrence weschler. the words are spoken by artist robert irwin
Labels: collaboration, drawing, image, irwin, kubrick, mythology, quote, set design
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Thursday, 19 May 2011
the city of oedipus
[as published in matzine #08]
like clockwork, étienne + i would spend two long days a month in studio monoculeure. always, the first studio day was the first friday of the month; the second, the second saturday
in turns, one would fall asleep, or employ chloroform. meanwhile the other, thirty three minutes later, would shake his friend awake, whereupon the dreamer would take his dream and put them on a page; the dimensions of their studio wall.
friday, my turn, i inhaled fully and closed my eye. a moment passed before i opened again. absurdly, both étienne and the fresh, wall-sized page were nowhere to be seen.
eight days following, in studio monoculeure, étienne and i met again, rather upset with one another. an emphatic, erratic explosion of airborne blame ensued. étienne defended that the previous friday it had been his turn to capture his dream on the page. only, when he opened his eye the room was empty of both partner and page.
disturbed and irreconcilable, we could agree on only one thing; to meet again twenty days later.
friday, the first day of the month, with little trust or patience surviving, we hung the page along the centre beam of the studio, ready to take a dream on both surfaces. we entered our respective unconsciousnesses simultaneously.
i was in a heavily-dark place; a vast and dense chamber. there was a sense of minutes passing, then hours. i navigated every permutation of turn and stride [ if one could call indeterminate movements navigation; my residual self-image was unrestrained, yet unable to move to anywhere ]. a numb intuition said my partner shared this space with me, just as the excited thought skimmed across the void; we had found it!
although consciously imperceptible at the time, an afterimage of the dream persisted - whole and familiar - though strictly unknowable. a double, a mirror, the eye that can view itself directly.
now awake, days later, stylus and knife in hands, both sides of the page were black with lead scratchings. there was no page left unwarped, only two un-placable, unfathomable maps; uncanny in dissymmetries; the city of oedipus
[this is a fictional foray originally presented in matzine #08 in response to the idea 'domestic exotic'. i really enjoyed writing this - and exposing my retina's to the matzine readers was an added delight]Labels: borges, dreams, light, matzine, mythology, shadow
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